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| SOURCE: WIKI |
Fey first broke into comedy as a featured player in the Chicago-based improvisational comedy group The Second City. She later joined SNL as a writer, later becoming head writer and a performer, known for her position as co-anchor in the Weekend Update segment. In 2004 she adapted the screenplay Mean Girls in which she also co-starred. After leaving SNL in 2006, she created the television series 30 Rock, a situation comedy loosely based on her experiences at SNL. In the series, Fey portrays the head writer of a fictional sketch comedy series. In 2008, she starred in the comedy film Baby Mama, alongside former SNL co-star Amy Poehler. Fey next appeared in the 2010 comedy films Date Night and Megamind.
She has received seven Emmy Awards, three Golden Globe Awards, four Screen Actors Guild Awards, and four Writers Guild of America Awards. She was singled out as the performer who had the greatest impact on culture and entertainment in 2008 by the Associated Press, which gave her its AP Entertainer of the Year award for her satirical portrayal of Republican vice presidential candidate Sarah Palin in a guest appearance on SNL. In 2010, Fey was the recipient of the Mark Twain Prize for American Humor, and the youngest-ever winner of the
After graduating, Fey originally had plans to do graduate work in drama at DePaul University in Chicago, but "I just got this feeling like it wasn't going to work out ... [that] they were going to take my money and then cut me from the program." She moved to Chicago anyway, knowing about the improvisational comedy troupe, The Second City. She took night classes at Second City, and had a day job working at the front desk of a YMCA facility in Evanston to pay for her classes. Once her Second City training began, she immersed herself in the "cult of improvisation",[ becoming, as she described it later, "like one of those athletes trying to get into the Olympics. It was all about blind focus. I was so sure that I was doing exactly what I'd been put on this earth to do, and I would have done anything to make it onto that stage. Not because of SNL, but because I wanted to devote my life to improv. I would have been perfectly happy to stay at Second City forever."
In 1994, she joined the cast of The Second City, where she performed eight shows a week, for two years. She was also in the revues Citizen Gates (1996) and Paradigm Lost (1997), where she performed alongside Scott Adsit, Kevin Dorff, Rachel Dratch, Jenna Jolovitz, and Jim Zulevic.[24][25] Improvisation became an important influence on her initial understanding of what it means to be an actress, as she noted in an interview for The Believer in November 2003:
When I started, improv had the biggest impact on my acting. I studied the usual acting methods at college – Stanislavsky and whatnot. But none of it really clicked for me. My problem with the traditional acting method was that I never understood what you were supposed to be thinking about when you're onstage. But at Second City, I learned that your focus should be entirely on your partner. You take what they're giving you and use it to build a scene. That opened it up for me. Suddenly it all made sense. It's about your partner. Not what you're going to say, not finding the perfect mannerisms or tics for your character, not what you're going to eat later. Improv helped to distract me from my usual stage bullshit and put my focus somewhere else so that I could stop acting. I guess that's what method acting is supposed to accomplish anyway. It distracts you so that your body and emotions can work freely. Improv is just a version of method acting that works for me.
While in Chicago, Fey also made what she later described as an "amateurish" attempt at stand-up comedy. She also performed at the ImprovOlympic theater.
